Posts Tagged ‘Foulsham & Banfield (photographers London)’

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Isabel Jay responds ‘with pleasure’ to a request for her autograph, 1908

August 30, 2014

Isabel Jay (1879-1927), English singer and actress, with her daughter, Cecilia Claribel Cavendish (1903-1997), by her first husband, Henry Sheppard Hart Cavendish (1876-1948), who succeeded to the barony of Waterpark of Waterpark, co. Cork, in 1932.
(photo: Foulsham & Banfield, London, probably 1908; Rotary Photographic Series postcard, no. 4748 E, issued by the Rotary Photographic Co Ltd, London, 1908)

The sender and ultimate recipient of this postcard, postmarked 22 [? August] 1908, wrote to Isabel Jay the following message: ‘Dear Madam As I am making a collection of actresses autographs, & should like to have yours among them, I should be very much obliged if you would sign this card. Hoping I am not troubling you too much, I remain, yrs truly, V.A. Shore.’ The sender was Miss V.A. Shore of 284 Goldhawk Road, Shepherds Bush, London, W.

Miss V.A. Shore was Violet Ada Shore who was born in Hammersmith on 7 July 1890, the daughter of Arthur Miers Shore (1862-1944), a professor of music, and his wife, Ada Alice Shore (née Clark), who were then living at 14 Dewhurst Road, West Kensington Park. She was baptised at St. Barnabas, Kensington, on 27 August 1890. At the time of the 1911 Census she was described as an art student (painting) and living with her parents and brother, Bernard A.R. Shore, at 284 Goldhawk Road, Hammersmith, London, W. Miss Shore, who was never married, died at Hove, Sussex, in 1977.

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Edith Day sings ‘Alice Blue Gown’ from Irene, recorded for the Columbia label, London, on or about 15 April 1920

August 8, 2014

a Columbia Graphophone Co Ltd advertisement for several of its Columbia label 10” and 12” discs issued in 1920, including Edith Day’s London recording of ‘Alice Blue Gown,’ made on or about 15 April 1920.


Edith Day and Pat Somerset as they appeared in the London production of Irene, Empire Theatre, Leicester Square, 7 April 1920
(photo: Foulsham & Banfield, London, 1920)

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Seymour Hicks, Ellaline Terriss and Zena Dare in The Beauty of Bath, London, 1906

November 14, 2013

(above) a Rotary Photographic Co Ltd postcard photograph (1597Q) of Mr and Mrs Seymour Hicks (Ellaline Terriss) as they appeared respectively as Lieut. Richard Alington and the Hon. Betty Silverthorne in the musical play, The Beauty of Bath, which opened at the Aldwych Theatre, London, on 19 March 1906.
(below) a Rotary Photographic Co Ltd postcard photograph (4040Z) of the same taken at the same sitting but with Zena Dare‘s face replacing that of Miss Terriss.
(main photos: Foulsham & Banfield, London, 1906; artwork by the Rotary Photographic Co Ltd)

The second postcard may be explained by the fact that Zena Dare succeeded Ellaline Terriss in the part of the Hon. Betty Silverthorne during the run, which, the production having transferred to the Hicks Theatre on 27 December 1906, ended on 23 February 1907.

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Lily Elsie at the time of her appearance in The Dollar Princess, London, 1909/10

November 3, 2013

Lily Elsie (1886-1962), English actress and singer and star of musical comedy, at the time of her appearance in The Dollar Princess, which opened at Daly’s Theatre, London, on 25 September 1909 for a run of 430 performances, closing on 3 December 1910.
(photo: Foulsham & Banfield, London, circa 1910)

‘Which lady to-day has the cosiest dressing-room in London? Probably Miss Lily Elsie, at Daly’s Theatre. Nothing could be more tasteful or dainty that the boudoir of ”The Dollar Princess.” Wall-paper, curtains, furniture, and all fittings harmonize in a scheme of white and pale mauve, while refined luxury is hinted at everywhere, from the many-cushioned couch by the fire to the thick fur rug, from the baskets of cosy flowers to the silken photograph frames. The most exalted of grand dames could not wish for a more elegant room. At the same house Miss Gabrielle Ray has a pretty apartment where the walls are embellished with water-coloured paintings.’
(from ‘Dressing-Rooms of Actresses,’ The Albury Banner and Wodonga Express, Albury, New South Wales, Australia, Friday, 15 April 1910, p. 45c/d)

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Phyllis Dare, a ‘Portrait Relief’ postcard by J. Beagles & Co, London, circa 1905

September 16, 2013

a J. Beagles & Co ‘Portrait Relief’ postcard photograph (no. 735 P) of Phyllis Dare (1890-1975), English musical comedy actress and singer.
(photo: probably Foulsham & Banfield, London, circa 1905)

‘Portrait Relief’ postcards, which have a 3-D effect, were published by J. Beagles & Co of London for a short period around 1904-1905.

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Pattie Wells, Madge Melbourne and Ruby Kennedy, in Our Miss Gibbs, Gaiety Theatre, London, 1909

August 22, 2013

left to right: Pattie Wells, Madge Melbourne and Ruby Kennedy, three of the ‘Girls at the Stores’ in Our Miss Gibbs, the musical play produced at the Gaiety Theatre, London, on 23 January 1909. The cast was headed by George Grossmith junior, Edmund Payne, Denise Orme and Gertie Millar.
(photo: Foulsham & Banfield, London, 1909; hats by Maison Lewis, Hanover Square and Paris)

Pattie Wells began her career as one of the ‘Ladies of Havana’ in Havana, another musical play at the Gaiety (25 April 1908); and she was last seen in Potash and Perlmutter in Society, a comedy by Montague Glass and Roi Cooper Megrue, produced at the Queen’s Theatre, London, on 12 September 1916.

Madge Melbourne was an American, born about 1885. She appeared on Broadway and on tour in the United States between about 1903 and 1906. She arrived in England in December 1908 and lived in London until about 1918. Apart from her appearances in Our Miss Gibbs, during which she made A Gaiety Dueta short film with George Grossmith junior and Edmund Payne, Miss Melbourne was also in the cast of Hullo Ragtime!, London Hippodrome, 23 December 1912, with Ethel Levey, Lew Hearn, Willie Solar, Dorothy Minto and Shirley Kellogg. She was also in Are You There?, a new musical piece by Ruggiero Leoncavallo, produced at the Prince of Wales’s Theatre, 28 October 1913, with Lawrence Grossmith, Alec Fraser, Shirley Kellogg and others. Her last appearance seems to have been in the one act comedy, Squibbs by Clifford Seyler, at the London Coliseum, in June 1915, with Mabel Russell and Charles Quartermaine.

Ruby Kennedy, whose real name was Ruby Trelawny, was born in 1889. She first appeared with Seymour Hicks and Ellaline Terriss as one of the ‘Guests’ in The Gay Gordons, a musical play which ran at the Aldwych Theatre, London, from 11 September 1907 for a run of 229 performances. She was last seen in another musical play, The Dancing Mistress, produced at the Adelphi Theatre, London, on 19 October 1912, with Joseph Coyne and Gertie Millar heading the cast. She was married to Group Captain (later Brigadier-General) Henry Brewster Percy Lion Kennedy (1878-1953) at St Luke, Chelsea, London, on 26 November 1913. She died in 1972.

One of Ruby Kennedy’s sisters was May Kennedy (née May Trelawny, 1885-1978) who also appeared in various musical productions, including The Gay Gordons and the revue, Everybody’s Doing It (Apollo Theatre, London, 9 December 1912), with J. Farren Soutar, Robert Hale, Ida Crispi and Unity More.

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August 11, 2013

Maurice Farkoa and Zena Dare in Franz Lehár’s one act operetta
Mitislaw; or, The Love Match, billed as ‘A Delightful Miniature Viennese Opera,’ London Hippodrome, November 1909
(photo: Foulsham & Banfield, London, 1909)

Mitislaw; or, The Love Match was the English version of Lehár’s Mitislaw der moderne, the book and lyrics by Fritz Grünbaum and Robert Bodanzky, which was first produced at the Hölle cabaret theatre, Berlin, on 5 January 1907.

‘Mr. Maurice Farkoa as Prince Mitislaw and Miss Zena Dare as Princess Amaranth, in a scene from this dainty opera, wherein the love affairs of the Prince are set forth to an accompaniment of charming music by Franz Lehár.’ Other members of the cast were Florence Wood as Tina and John Le Hay as The Chancellor.
(The Throne and Country, London, Saturday, 11 December 1909, p.542)