Posts Tagged ‘Howell (photographer)’

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Lisa Weber’s death and burial, Buffalo, New York, October 1887

March 3, 2015

Lisa Weber (1844?-1887), English burlesque actress, one of Lydia Thompson’s original ‘British Blondes.’ She died in reduced circumstances while on tour in the burlesque Little Jack Sheppard at Buffalo, New York, on 23 October 1887. She was buried at New Forest Lawn Cemetery two days later.

(carte de visite photo: Howell, New York, circa 1868)

‘Lisa Weber Buried.

‘Buffalo, Oct. 25 [1887]. – The curtain has fallen upon the last act of Lisa Weber’s life, and the actress has stepped out upon the boards of an unknown stage. It was an indescribably pathetic little funeral that took place from the Eagle House this morning. Lisa Weber was once a successful and popular actress on the burlesque stage. Reverses came with age, and this year she took out a variety company on the road. Last Monday night she played the rôle of ”Little Jack Sheppard” at the Adelphi Theatre, but on Tuesday she fell sick. Her illness continued during the week and she was ”left behind” by her company. Sunday morning she died. She was in destitute circumstances, and members of the profession playing in Buffalo did what could be done to provide for her temporal wants. To secure a final resting place a lot in Forest Lawn was bought. The Rev. John E. Bold, of St. James’s Episcopal Church, conducted the funeral service. The pall bearers were chosen from members of the dramatic company now in Buffalo. A large number of the dramatic profession was present.’

(The New York Times, New York, Wednesday, 26 October 1887, p. 5c)

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Lina Edwin, American burlesque actress and singer

May 11, 2014

Lina Edwin (otherwise, Lena Edwin, Mrs Bland Holt, 1846?-1883), American burlesque actress and singer.
(cabinet photo: Howell, 867 and 869 Broadway, New York, circa 1870)

‘A SOUTHERN LADY TAKES TO THE STAGE. – Miss Lina Edwin, who has just opened her theatre in New York, has a romantic history, according to the Brooklyn Union. ”She is a Southerner, well born, and highly educated. She lived on her paternal estates near Richmond, Virginia, and was brought up in the mollesse of the old southern aristocracy. During the war the paternal estates wee melted in the crucible of the Confederacy, and Miss Edwin turned pluckily to self-support. First she tried literature, and became well known in the internal newspaper world as a song writer. Then she set about writing music for her sons, and the orchestral world began to know her. She wrote waltzes and fantasias, and in all acquitted herself well. Next she took to the stage, and in two years or so from a brilliant beginning, reached the degree of manageress in her own right. An opportune legacy has set her right pecuniarily, but it did not arrive until she had got well into the expense list of her ledger on behalf of the public amusement, and now she will appear in her new capacity as manager.”’
(The Daily Phoenix, Columbia, South Carolina, Tuesday, 22 September 1870, p. 2b)

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Notable among Lina Edwin’s first appearances were with W.H. Lingard and his actress wife, Alice Dunning, in the former’s production of H.J. Byron’s Orpheus and Eurydice (New York, 1 February 1869); and with Lydia Thompson and her troupe (including Harry Beckett, Pauline Markham, Alice Atherton and Eliza Weathersby) in the burlesque, Pippin; or, The King of the Golden Mines (Niblo’s Garden, New York, 4 April 1870). She subsequently gave her name to a theatre at 720 Broadway, New York, which became well-known for burlesques and other popular entertainment but in December 1872 was burnt to the ground. Meanwhile, in December 1871, Miss Edwin was in Ireland where she appeared as Doe Maynard in the comedy, Rank at the Queen’s Royal Theatre, Dublin. She became a great favourite there, remaining until October 1872. After returning to the United States, Lina Edwin then left for Australia at the close of 1876 in a company headed by Annie Pixley and Bland Holt. She continued her career in Australia until her death in 1883.

Melbourne, NSW, Australia, Thursday, 31 May 1883
‘Mrs Bland Holt, better known by her stage name of Lena [sic] Edwin, died to-day. About two months ago the deceased lady was seized with an apoplectic fit on the stage of the Theatre Royal [Melbourne], which resulted in paralysis, from which she was recovering, but to-day she was seized with a second attack of apoplexy, and rapidly sank. Mr. Holt is at present in Sydney.’
(The Sydney Morning Herald, NSW, Australia, Friday, 1 June 1883, p. 7f)