Posts Tagged ‘Lil Hawthorne’

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Lil Hawthorne as she appeared in 1898 and 1899 singing ‘Take it Home and Give it to the Baby’

February 3, 2014

Lil Hawthorne (1877-1926), American-born British music hall star and pantomime principal boy, as she appeared in 1898 and 1899 singing ‘Take it Home and Give it to the Baby,’ a song by William Furst with words by C.M.S. McLellan which was sung by Pauline Hall of the Pauline Hall Opera Company in the comic opera, The Honeymooners, which was first produced in the United States in 1893.
(photo: unknown, UK, probably 1898)

The Oxford music hall, London, week beginning Monday, 12 July 1898
‘A highly popular favourite at the Oxford is Miss Lil Hawthorne, a beautiful American girl, one of the Three Sisters Hawthorne, who made such a hit in ”The Willow Pattern Plate” last year. ”Lil,” while singing her first song, creates a diversion by distributing a number of dolls among the audience. In her second item, ”Sweet Rosie O’Grady,” she is assisted in the chorus by a young standing in the circle, and is vociferously encored and recalled after an emphatic success.’
(The Era, London, Saturday, 16 July 1898, p. 16a)

The Alhambra, Leicester Square, London, week beginning Monday, 22 August 1899
‘Since our last notice of the variety entertainment at the Alhambra, the company has been reinforced by the enlistment of Miss Lil Hawthorne, who, attired as a doll-seller, songs ”Take it home and give it to the baby,” flinging some of her poupéesto the eager and delighted audience, who warmly applaud her. She Has a handsome appearance and a good voice, and sings with expressive earnestness.’
(The Era, London, Saturday, 26 August 1899, p. 18a)

The Granville music hall, Waltham Green, London, week beginning Monday, 30 October 1899
‘Miss Lil Hawthorne (formerly of the Three Sisters Hawthorne) is very popular with the Waltham-green folk, and her capital voice and charming appearance are largely responsible for her undoubted success. She gets at the hearts of the women-folk in her first song, ”Take it home and give it to the baby,” by a distribution of toy dolls, but takes admiration by storm in her second item, ”I’ll be your sweetheart,” the chorus of which is chanted from the balcony by a sweet-voiced youth.’
(The Era, London, Saturday, 4 November 1899, p. 19b)

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Lola Hawthorne, American vaudeville actress and singer

January 18, 2013

Lola Hawthorne (fl. late 19th/early 20th Century)
American vaudeville actress and singer, a sister of Lil Hawthorne (1877-1926)
(photo: unknown, circa 1905)

Eddie Foy on tour in Off the Earth, with Sadie McDonald, Kate Uart, Lola and Lillian Hawthorne, Joseph Doner, Henry Carter, et al, Grand Theatre, Decatur, Illinois, March 1895
‘On Tuesday evening, the 19th, at the Grand, Eddie Foy’s success in the new and revised edition of the fantastic operatic travesty, Off the Earth, will be presented. The production is said to be one of the finest in point of scenic beauty ever witnessed here, and the costumes and surroundings are beautiful in the extreme. The story is quaintly amusing, and Foy in the character of Cluster, an up-to-date cash boy, contributes one of the funniest performances he has ever given. The company numbers nearly 100, among the principals being Sadie McDonald, Kate Uart, Lola Hawthorne, Madeline Morando, Lillian Hawthorne, Joseph Doner, H.W. Tredenick, Henry Carter, and a recently imported Russian equilibrist, Sadi Alfaradi, whose act is said to border on the marvelous.’
(The Daily Republican, Decatur, Illinois, Saturday, 16 March 1895, p.3d)

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January 18, 2013

Lola Hawthorne (fl. late 19th/early 20th Century)
American vaudeville actress and singer, a sister of Lil Hawthorne (1877-1926)
(photo: unknown, circa 1905)

Eddie Foy on tour in Off the Earth, with Sadie McDonald, Kate Uart, Lola and Lillian Hawthorne, Joseph Doner, Henry Carter, et al, Grand Theatre, Decatur, Illinois, March 1895
‘On Tuesday evening, the 19th, at the Grand, Eddie Foy’s success in the new and revised edition of the fantastic operatic travesty, Off the Earth, will be presented. The production is said to be one of the finest in point of scenic beauty ever witnessed here, and the costumes and surroundings are beautiful in the extreme. The story is quaintly amusing, and Foy in the character of Cluster, an up-to-date cash boy, contributes one of the funniest performances he has ever given. The company numbers nearly 100, among the principals being Sadie McDonald, Kate Uart, Lola Hawthorne, Madeline Morando, Lillian Hawthorne, Joseph Doner, H.W. Tredenick, Henry Carter, and a recently imported Russian equilibrist, Sadi Alfaradi, whose act is said to border on the marvelous.’
(The Daily Republican, Decatur, Illinois, Saturday, 16 March 1895, p.3d)