Posts Tagged ‘Lily Elsie’

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Topsy Sinden and Lily Elsie on tour in See-See, early 1907

March 6, 2015

Topsy Sinden (1877-1950) and Lily Elsie (1886-1962), as they appeared respectively as So-Hie and See-See, with ladies of the chorus, on tour in the United Kingdom during the first few months of 1907 with George Edwardes’s Company‘ in the ‘New Chinese Comic Opera,’ See-See. So-Hie and See-See were originally played by Gabrielle Ray and Denise Orme when See-See was first produced at the Prince of Wales’s Theatre, London, on 20 June 1906.
(photo: Foulsham & Banfield, London, late 1906/early1907; postcard no 3283F in the Rotary Photographic Co Ltd’s Rotary Photographic Series, published London, early 1907)

”’SEE SEE” AT HAMMERSMITH.
‘Miss Lily Elsie, who played the title rôle in ”The New Aladdin” at the Gaiety, gave a charming performance of ”See See” at the King’s, Hammersmith, last night. Miss Elsie has an engaging presence and a charming voice, and altogether gives promise of a brilliant future. Mr. George Edwardes has staged the popular Chinese comic opera very handsomely, both as regards scenery and company. Mr. Frank Danby and Mr. W.H. Rawlins keep the fun going, and the singing, acting, and dancing of Miss Amy Augarde, Mr. Leonard Mackay, and Miss Topsy Sinden are delightful. The production was enthusiastically received by a full house.’
(The Standard, London, Tuesday, 30 April 1907, p. 4f)

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Lily Elsie as Princess Soo Soo in A Chinese Honeymoon, April 1903

March 5, 2015

Lily Elsie (1886-1962), English musical comedy star, as she appeared as Princess Soo Soo in the musical comedy A Chinese Honeymoon. a part initially played by Violet Dene on tour when the piece was first produced at the Theatre Royal, Hanley, on 16 October 1899, and by Beatrice Edwards when the production opened in London at the Strand Theatre on 5 October 1901. Miss Edwards was succeeded (circa March 1902) by Kate Cutler and then (October 1902) by Mabel Nelson who in turn was succeeded by Lily Elsie when the latter took up the part of Soo Soo on Monday, 20 April 1903.
(photo: R.W. Thomas, Cheapside, London, 1903; colour halftone postcard no. 114 in C. Modena & Co’s ‘Ducal’ series, published London, 1903)

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Gertrude Glyn as she appeared as Sonia during the run of The Merry Widow, Daly’s Theatre, London, 1907-1909

January 23, 2015

Gertrude Glyn (1886-1965), English musical comedy actress, as she appeared as understudy to Lily Elsie in the role of Sonia during the first London run of The Merry Widow, produced at Daly’s Theatre, Leicester Square, on 8 June 1907 and closed on 31 July 1909.
(photo: Bassano, London, probably 1908 or 1909; postcard no. 1792M in the Rotary Photographic Series, published by the Rotary Photographic Co Ltd, London, 1908 or 1909)

Gertrude Glyn began her career in 1901 at the age of 15 with Seymour Hicks when he cast her in one of the minor roles in the ‘musical dream,’ Bluebell in Fairyland (Vaudeville Theatre, London, 18 December 1901), of which he and his wife, Ellaline Terriss were the stars. Miss Glyn was subsequently under contract to George Edwardes, appearing in supporting roles at the Gaiety and Daly’s theatres in London and where she was also one of several understudies to both Gabrielle Ray and Lily Elsie. She also seen from time to time in other United Kingdom cities. Her appearances at Daly’s in The Merry Widow, The Dollar Princess (1909-10), A Waltz Dream (1911), and The Count of Luxembourg (1911-12) were followed during 1912 or 1913 by her taking the role of Lady Babby in Gipsy Love (also played during the run by Avice Kelham and Constance Drever), in succession to Gertie Millar.

On 10 April 1914, Gertrude Glyn and Elsie Spain sailed from London aboard the SS Otway bound for Sydney, Australia. Their first appearances there were at Her Majesty’s Theatre, Sydney, on 6 June that year in Gipsy Love in which they took the parts respectively of Lady Babby and Ilona, the latter first played in London by Sari Petrass.

Gipsy Love, Her Majesty’s Theatre, Sydney, 6 June 1914
‘A thoroughly artistic performance is that offered by Miss Gertrude Glyn, another newcomer, in the role of Lady Babby. Although her singing voice is not a strong point in her equipment of talent, this actress artistically makes one forget this fact in admiration for the skilful interpretation of her lines and lyrics, and also the gracefulness of her dancing and movements. Another point of excellence about Miss Glyn’s work is that she acts easily and naturally, always keeping well within the pictures and confines of the character she impersonates.’
(The Referee, Sydney, NSW, Wednesday, 17 June 1914, p. 15c)

Gertrude Glyn’s last appearances were as Lady Playne in succession to Madeline Seymour and Mary Ridley in Paul Rubens’s musical play, Betty, which began its long run at Daly’s Theatre, London, on 24 April 1915 and ended on 8 April 1916.

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Gertrude Glyn’s real name was Gertrude Mary Rider. She was the youngest daughter of James Gray (or Grey) Rider (1847/49-1900), a civil servant, and his wife, Elizabeth. She was baptised on 24 October 1886 at St. Mark’s, Hanwell, Middlesex. She married in 1918.
‘CAPTAIN BULTEEL and MISS GERTRUDE GLYN (RIDER).
‘The marriage arranged between Captain Walter Beresford Bulteel, Scottish Horse, youngest son of the late John Bulteel, of Pamflete, Devon, and Gertrude Mary Glyn (Rider), youngest daughter of the late James Grey Rider, and of Mrs. Rider, 6, Windsor Court, Bayswater, will take place at St. Paul’s Church, Knightsbridge, on Thursday, May 9, at 2.30.’
(The Times, London, 7 May 1918, p. 9c)
Bulteel, one of whose maternal great grandfathers was Charles Grey, 2nd Earl Grey (1764-1845), was born in 1873 and died in 1952; his wife (Gertrude Glyn) died on 16 October 1965.

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Lily Elsie about the time of her return to the stage in the title role of Pamela, Palace Theatre, London, 1917

November 19, 2014

Lily Elsie (1886-1962), English star of musical comedy, upon her return to the stage in the title role of Pamela, comedy with music by Arthur Wimperis and Frederic Norton, Palace Theatre, London, 10 December 1917
(photo: unknown, probably London, 1916/1917)

‘MISS LILY ELSIE.
‘I hear them talking. For once they all agreed. Not time or love or circumstance could change her – she must succeed. She was Lily Elsie. I did not marvel. She is such a sweet woman. Men and women love her equally. Could anyone wish for greater blessing? What is her fascination? Perhaps it is charm. That elusive quality. Few women and fewer men possess it. She alone of all our stage women possesses it to the full. She is herself – Lily Elsie. Queen of Hearts – back on the stage once more. If Alfred Butt never did anything else he has earned in that achievement the gratitude of playgoers everywhere.’
(The Pelican, London, Friday, 1 February 1918, p. 3)

Note the similarity between this photograph and Sir James Jebusa Shannon’s portrait of Miss Elsie, which has been dated to circa 1916.

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Lily Elsie: a photograph by Rita Martin

August 16, 2014

Lily Elsie (1886-1962), English actress and singer and star of musical comedy
(photo: Rita Martin, London, circa 1915-1917)

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Lily Elsie as Humming Bird in See-See, Prince of Wales’s Theatre, London, 1906

June 18, 2014

Lily Elsie (1886-1962), English star of operetta and musical comedy, as she appeared as Humming Bird in the ‘Chinese’ comic opera, See-See, which was produced at the Prince of Wales’s Theatre, London, on 20 June 1906. Gabrielle Ray was also in the cast.
(photo: uncredited, probably Bassano, London, 1906)

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Lily Elsie and Ivor Novello in The Truth Game, 1928/29

June 7, 2014

Lily Elsie and Ivor Novello as Rosine Browne and Max Clement in H.E.S. Davidson’s [i.e. Ivor Novello’s] light comedy The Truth Game, first produced at the Globe Theatre, London, on 5 October 1928. A tour followed its closure on 23 February 1929, returning to London (Daly’s Theatre) on 25 June 1929 for a further 22 performances.
(photo: E. Harrington, New Bond Street, London, 1928; postcard no. 339K published by J. Beagles & Co Ltd, 1928)