The Great Blind Bartell, the naval Crimean hero, English vocalist and composer

C.H. Bartell (active late 1860s-1898), English blind vocalist and composer, sometimes billed as ‘The Great Blind Bartell’ and the ‘naval Crimean hero, with his flag entertainment’
(carte de visite photo: A.R. MacWilliams, 16 South Hanover Street, Glasgow, circa 1875)
Bartell, whose real name was Charles Henry Huntley, was born in London on 14 July 1835, the son of Henry Huntley, a brewer (later licensed victualler) and his wife, Elizabeth, and baptized at St. Matthew, Bethnal Green on 28 June 1837. He joined the navy at an early age but was blinded in an accident during the Crimean War (1853-1856). Twice married and father to a number of children, he died at home on 7 Sept 1901 at 18 Dudley Road, Sale, Cheshire.

The Middlesex music hall, Edgware Road, London, week beginning Monday, 30 December 1867
‘Mr. Bartell, a blind vocalist, sang several songs, the words of which are written by himself. One of these effusions related to ”What we want to know.” Another, which he called ”The Flags of all Nations,” glances at prominent tropics connected with different European states, and in a third Mr. Bartell recapitulated the achievements of 1867, and concluded by reciting some lines composed by himself, in which he described how he lost his sight when he was present as a sailor at the taking of Sebastopol. He has a powerful voice, and sings very forcibly. The audience heartily cheered him.’
(The Era, London, Sunday, 5 January 1868, p. 6d)

Alhambra music hall, Worcester, week beginning Monday, 11 January 1869
‘Mr. C.H. Bartell, the blind descriptive vocalist and author, from the Crystal Palace, London, whose great international song, ”The Flags of All Nations,” has been received with much applause. Mr Bartell is one of the Crimean heroes, and he recites some verses relating to that dreadful contest, in which he gives an account of his life, and touchingly alludes to the loss of his sight.’
(The Era, London, Sunday, 17 January 1869, p. 13d)

People’s Concert Hall, Stockport, Cheshire, week beginning Monday, 4 March 1872
‘We have this week to report the great success of the De Castro Troupe (gymnast and acrobats); also Le Petit Tom and Young England in their daring performance on the high trapeze. Mr. C.H. Hartell (blind descriptive vocalist) sings several songs of his own composing in a manner which elicits frequent applause. Mr. H. Beresford (comic), and Miss Bartell (serio-comic and dancer), with Mr and Mrs J. Whittingham (Negroists), complete the company.’
(The Era, London, Sunday, 10 March 1872, p. 7b)

‘Charles Huntley Bartell, a Crimean veteran, who lost his sight in action, has died at his home in Sale, Manchester. ”Blind Bartell,” as he was known, gained quite a local reputation as a vocalist and entertainer, and some of his verses so impressed Queen Victoria that she made him a money grant. He was the oldest naval pensioner in Manchester, and possessed medals for Alma, Sebastopol and Inkerman. When Lord Roberts last visited Manchester he responded at the dinner given on behalf of the naval section of the Crimean veterans.’
(The Teedsale Mercury, Barnard Castle, Wednesday, 18 September 1901, p. 6f)

C.H. Bartell (active late 1860s-1898), English blind vocalist and composer, sometimes billed as ‘The Great Blind Bartell’ and the ‘naval Crimean hero, with his flag entertainment’
(carte de visite photo: A.R. MacWilliams, 16 South Hanover Street, Glasgow, circa 1875)
Bartell, whose real name was Charles Henry Huntley, was born in London on 14 July 1835, the son of Henry Huntley, a brewer (later licensed victualler) and his wife, Elizabeth, and baptized at St. Matthew, Bethnal Green on 28 June 1837. He joined the navy at an early age but was blinded in an accident during the Crimean War (1853-1856). Twice married and father to a number of children, he died at home on 7 Sept 1901 at 18 Dudley Road, Sale, Cheshire.

The Middlesex music hall, Edgware Road, London, week beginning Monday, 30 December 1867
‘Mr. Bartell, a blind vocalist, sang several songs, the words of which are written by himself. One of these effusions related to “What we want to know.” Another, which he called “The Flags of all Nations,” glances at prominent tropics connected with different European states, and in a third Mr. Bartell recapitulated the achievements of 1867, and concluded by reciting some lines composed by himself, in which he described how he lost his sight when he was present as a sailor at the taking of Sebastopol. He has a powerful voice, and sings very forcibly. The audience heartily cheered him.’
(The Era, London, Sunday, 5 January 1868, p. 6d)

Alhambra music hall, Worcester, week beginning Monday, 11 January 1869
‘Mr. C.H. Bartell, the blind descriptive vocalist and author, from the Crystal Palace, London, whose great international song, “The Flags of All Nations,” has been received with much applause. Mr Bartell is one of the Crimean heroes, and he recites some verses relating to that dreadful contest, in which he gives an account of his life, and touchingly alludes to the loss of his sight.’
(The Era, London, Sunday, 17 January 1869, p. 13d)

People’s Concert Hall, Stockport, Cheshire, week beginning Monday, 4 March 1872
‘We have this week to report the great success of the De Castro Troupe (gymnast and acrobats); also Le Petit Tom and Young England in their daring performance on the high trapeze. Mr. C.H. Hartell (blind descriptive vocalist) sings several songs of his own composing in a manner which elicits frequent applause. Mr. H. Beresford (comic), and Miss Bartell (serio-comic and dancer), with Mr and Mrs J. Whittingham (Negroists), complete the company.’
(The Era, London, Sunday, 10 March 1872, p. 7b)

‘Charles Huntley Bartell, a Crimean veteran, who lost his sight in action, has died at his home in Sale, Manchester. “Blind Bartell,” as he was known, gained quite a local reputation as a vocalist and entertainer, and some of his verses so impressed Queen Victoria that she made him a money grant. He was the oldest naval pensioner in Manchester, and possessed medals for Alma, Sebastopol and Inkerman. When Lord Roberts last visited Manchester he responded at the dinner given on behalf of the naval section of the Crimean veterans.’
(The Teedsale Mercury, Barnard Castle, Wednesday, 18 September 1901, p. 6f)

Arthur St. Vincent and Eugenie Montebello, British and Australian music hall entertainers

Arthur St. Vincent (active 1869-1887), English music hall singer/songwriter, manager and general entertainer, and his wife, Mdlle. Eugenie Montebello (active 1868-1876), Italian-born British music hall artist, sometimes described as ‘the dashing serio-comic and dancer,’ male impersonator, magician/illusionist and entertainer
(carte de visite photos: Clayson & Cuthbert, 13 ½ South Parade, Nottingham, and Tulley, 26 Division Street, Sheffield, both circa 1870)

Arthur St. Vincent and Mdlle. Montebello appear to have been in their early 20s when they began their separate stage careers. They soon joined forces, however, and in 1873 they set sail for Australia. Settling for a while in the new gold-mining town of Charters Towers, where they are said to have been connected with the Sportsman’s Arms Hotel and its theatre, they were subsequently seen in company on tour with various other entertainers throughout parts of Australia and New Zealand. It was on 27 October 1874 at the Crown Hotel, Dunedin that a son was born to the couple (Otago Witness, Dunedin, New Zealand, Wednesday, 28 October 1874, p. 4b).

Early in 1882 Arthur St. Vincent returned to England but disaster struck his and his party’s return journey to Australia when they were involved in a steamship wreck, which deprived them of their savings and wardrobes. St. Vincent managed to return to his wife in Australia, where a benefit was held for him in June 1884. Later references to Mr and Mrs St Vincent are in Australian sources but they cease in 1887.

* * * * *

‘Success! The Great Arthur St. Vincent. Success!
ARTHUR ST. VINCENT, acknowledged to be the most original and successful Comic that has visited HALIFAX [Yorkshire] (ODD FELLOWS’ MUSIC HALL). Thunders of applause nightly. Pullan’s, Bradford; Fleur-de-Lis, Sheffield; Victoria, Hartlepool; Wear, Sunderland, to follow. Address, HARRY FOX, Middlesex Music Hall, London, W.C.
N.B. Songs and Duets written on moderate terms (Ladies’ versions).’
(The Era, London, Sunday, 23 May 1869, p. 16b)

Metropolitan music hall, Edgware Road, London, week beginning Monday, 23 October 1871
‘… Mdlle. [Eugenie] Montebello and Mr. Arthur St. Vincent, who are comic duettists with voices above the average for musicalness, have newly appeared here, and are well received. They represent a belle and beau, who sing of ”London Society” being more to their taste than that of Baden-Baden, &c. Dressed nearly alike as fops, with peculiar hats and profuse whiskers, they carol a lively strain, the refrain of which is ”Hurrah for the Gaslight School.” The manlike appearance and swagger of the lady cause much laughter. Again they come forward and exhibit cards bearing good representations of the Rose, the Thistle, the Shamrock, and other emblems of nations, and accompany the display of the pictures with appropriate melodies. When we saw them they were so earnestly called that they appeared a fourth time and sang ”A song of songs,” which consisted of snatches of a very large number of popular ditties well woven together and cleverly sung… .’
(The Era, London, Sunday, 29 October 1871, p. 12a)

‘DPARTURE OF PROFESSIONALS FOR AUSTRALIA. – On Thursday the following members of the Music Hall Profession sailed from Southampton for Australia, viz.:- The De Castro troupe, Valentine Vose, Arthur St. Vincent, Mdlle. Montebello, Airee, Nellie Forrester, Harry Sefton, and Jessie Danvers. Through Messrs Durden and Wills, who witnessed their departure, they send kind regards to their brother and sister professionals.’
(The Era, London, Sunday, 31 August 1873, p. 4d)

‘ST. VINCENT’S GEM CONCERT COMPANY.
FOR THREE NIGHTS ONLY. SATURDAY, MONDAY, AND TUESDAY NEXT.
MR. AND MRS. ARTHUR ST. VINCENT, From all the London Theatres, and late Principal Vocalists of Smith’s English and Continental Combination, beg most respectfully to announce Three Performances as above.
The Company at present consists of the following first-class Artists:-
MR. ARTHUR ST. VINCENT, acknowledged by public and press to be the greatest Local Comic and Characteristic Vocalist, who has visited the Colonies, in all new Songs, written and composed by himself.
MDLLE. EUGENIE MONTEBELLO, pronounced by the London and Provincial Press to be the greatest Lady Impersonator of Male Character in the world.
MR. FRANK VERTEN, (late of the Australian Bell Ringers), Negro Comedian and Dancer, in his beautiful American Songs and Dances.
MR. LESLIE CHARLES, (late of the Canadian Concerts), Baritone and National Vocalist.
HERR JULIUS, Solo Pianist and Musical Director.
MR AND MRS A. ST. VINCENT In their highly amusing Drawing Room Sketches of ”Life and Character.”
Vide Press – ”The most amusing couple we have seen for many a long day.” – Cromwell Argus, December 24, 1875.
An entire Change of Programme each evening
Books of Words may be had at the Hall.
Doors open at 7.30; commence at 8.
SOLE MANAGER – MR. A. ST. VINCENT. SOLE AGENT – ALFRED WRIGHT.’ (The Nelson Evening Mail, Nelson, New Zealand, Wednesday, 2 June 1875, p. 2g)

‘MR. ARTHUR ST. VINCENT has arrived [in London], and will remain in England for Two Months. He will be pleased to hear from old friends; also from Persons having Novelties in any line of Business, Illusions of all kinds, Duets, Dialogues, Comic Songs. Can arrange with Artistes to visit the Colonies either on terms share or otherwise. Address, ARTHUR ST. VINCENT, 32, Fitzroy-street, Fitzroy-square, London, W.C.’
(The Era, London, Saturday, 27 May 1882, p. 23c)

‘ST. VINCENT’S
AUSTRALIAN ”MUSETTES and
CONCERT PARTY
of Six Star Artistes
are now on Tour through England.
Managers and Proprietors please send vacant dates for Halls.
ARTHUR ST. VINCENT.
N.B. – ”The Hindoo Marvel.”
Australia again in August.
Permanent address, 32, Fitzroy-street, Frizroy-square, London, N.W.’
(The Era, London, Saturday, 10 June 1882, p. 21a)

Ina Claire and Sam Bernard in The Belle of Bond Street, Adelphi Theatre, London, 1914

Ina Claire (1893-1985), American actress and singer, and Sam Bernard (1863-1927), English-born American actor, as they appeared in the roles of Winnie Harborough and Max Hoggenheimer in The Belle of Bond Street, a musical play (adapted from The Girl from Kay’s), which opened at the Adelphi Theatre, London, on 8 June 1914. The production closed on 17 July 1914 after a run of 41 performances.
(photo: The Daily Mirror Studios, London, 1914)

‘Been Here Before.
‘How many London playgoers will remember Sam Bernard, who is producing and acting in The Belle of Bond Street, the American musical comedy advertised for production at the Adelphi on Saturday night? Mr. Bernard has made a big name in America, but he he was acting over here a quarter of a century ago, and appeared at the old Middlesex Music-hall.
‘The Coster Rage.
‘Those were the days when [Albert] Chevalier was making the coster song the rage of London, and Mr. Bernard was one of the earliest, if not the first, to take the coster song across the Atlantic. He bought a real costermonger’s suit to take back with him to New York, where he appeared on the stage and sang to wondering Americans of the joys and sorrow of our ”pearly” lads and lasses.’
(The Daily Mirror, London, Wednesday, 3 June 1914, p. 5c)

‘Miss Ina Claire and Mr. Sam Bernard triumphed last night at the Adelphi Theatre, and by her charm and cleverness and his broad humour overrode a foolish story, tinkling music, and a tawdry production… . Miss Claire and Mr. Bernard kept the show ”humming” from beginning to end … the night was made hilarious by the two chief performers, and an audience which included [Enrico] Caruso and Signor [Antonio] Scotti, Miss Gertie Millar, Miss Ethel Levey, Miss Gaby Deslys, Miss Vesta Tilley, and scores of Americans, shouted itself hoarse in approval.’
(Daily Express, London, Tuesday, 9 June 1914, p. 5f)

Minnie Cunningham

Minnie Cunningham (1870-1954), English music hall singer and dancer, ‘Provincial pet. London’s pride’
(photo: unknown, circa 1905)

‘Miss Minnie Cunningham.
‘Melodious Minnie. Pretty and Pleasing. Is the daughter. Of someone, naturally. Ned Cunningham. Who could sing. And dance. When he died. Daughter went on Halls. Age jut 10. Started Museum, Birmingham. As a male impersonator. Singing the dad’s songs. Played in several pantos. Then in the “smalls.” Low salary. Lots of fun. First appearance. Middlesex in 1886. Was afraid of London. Shy little girl! Not so timid now. Started with lively song. About Tottie, the Nobleman’s Daughter. Tottie was a frost. Soon disappeared. But “try, try, try again.” With a character ballad. “The Hurdy-Gurdy Girl.” Girl did well. Big success. Miss Cunningham likes pantomime. Never had a lesson in dancing. Bred in her. Greatest success. “Give us a wag of your tail, old dog.” Old song revived. Provincial pet. London’s pride. Deserves all her success. So long!’
(The Variety Theatre, London, Friday, 19 May 1905, p.19a)

Victor Liston

Victor Liston (1838-1913), English music hall vocalist and comedian
(photo: photo: T. Pope, Birmingham, circa 1874)

Collins’s Music Hall, Islington Green, London
‘Mr. Victor Liston adheres to the legitimate, and sings those songs which can hardly be called new-fangled. His “shabby-genteel” impersonation is excellent. Mr. Liston sang four songs, and enjoyed a recall on the evening of our visit to Collins’s.’
(The Entr’acte, London, Saturday, 17 December 1881, p.6b)

* * * * * * * *

Too proud to beg, too honest to steal,
I know what it is to be wanting a meal;
My tatters and rags, I try to conceal,
I’m one of the Shabby Genteel.

* * * * * * * *

‘Mr Victor Liston, another favourite comic singer, made his first appearance when seventeen years old [in 1855] at a benefit at the Old Bower Saloon, Stangate Street [London]. Afterwards he sang at various of the smaller halls, such as Price’s in the Caledonian Road, which was only open on Saturday nights, and where “Billy Randall” [William Randall (1830-1898)] was very popular. Then Harry Fox [1817-1876], of the Middlesex [music hall, Drury Lane], sent Liston to Sheffield, where he played at Parker’s, where J.H. Ridley and his wife, Marie Barnum, sister to Johnny Barnum, started as duettists. After a long provincial probation, Liston returned to London and sang at the Grapes, the Coal Hole, the Cyder Cellars, the Dr Johnson, and Macdonald’s in Hoxton, where Fred Albert [1845-1886] made one of his earliest appearances. This is now used as a mission hall. One night [in 1868] Liston deputised at the old Philharmonic [Islington Green], then under the proprietorship of the late Mr Sam Adams, and made such a success with his song “Shabby Genteel” [written by Henry S. Leigh, a noted contributor to the satirical periodical Punch], that he stayed there for seven months, a ditty which Harry Clifton [1832-1872] used to sing in his “two-hours’ entertainment.” Victor Liston was also popular at the Metropolitan, Collins’s, and at Evans’s, where one night H.R.H. the Prince of Wales [later King Edward VII] brought the Duke and Duchess of Sutherland expressly to hear “Shabby Genteel.” After a five months’ successful visit to America, Liston returned to England. Among his principal songs were “The Auctioneer’s Daughter,” “Charming Arabella,” “Polly Darling,” and “Of Course it’s no Business of Mine.” The last-named was written by Arthur Lloyd [1840-1904], the others by G.W. Hunt [1851-1936]. On one occasion Liston was a member of Sam Hague’s Minstrels. He was also manager of the Bon Accord Music Hall, at Aberdeen, and “ran” halls of his own at Gloucester and Cheltenham, where George Leybourne [1842-1884] and other stars appeared.’
(Charles Douglas Stuart and A.J. Park, The Variety Stage, T. Fisher Unwin, London, 1895, pp.108 and 109)

* * * * * * * *

‘It is sad to relate that towards his end, Victor Liston became the embodiment of [“Shabby Genteel”] himself, for he met with misfortune and, dressed carefully, but in threadbare clothes trying to keep up appearances, was himself, as was the hero of his song, too often wanting a meal.’
(W. Macqueen-Pope, The Melodies Linger On, W.H. Allen, London, 1950, p.311)

skipping rope dancers

a carte de visite of two unidentified skipping rope dancers
(photo: The London Stereoscopic & Photographic Co Ltd, London, late 1870s)

MR. HUGH J. DIDCOTT
has great pleasure in announcing that, at the termination of the Engagement of Miss ROSE FOX, at the OXFORD MUSIC HALL, she will appear with her Troupe of Beautiful Blondes, in a New Fantastical Farrago, entitled
”SKIPPING IN THE SNOW,”
by FRANK W. GREEN, Esq.’
(The Era, London, Sunday, 25 March 1877, p. 20a)

”Th’ adorning thee with so much art.” – COWLEY.
MISS ROSE ROX,
”Queen of the skipping-rope.” – The Era.
ROYAL FORESTERS’, every Evening, Ten o’clock,
in her New Fantastical Farrago,
entitled SKIPPING IN THE SNOW.
Libretto by Frank W. Green; Music by Edward Solomon.
New and Magnificent Dresses Designed and Executed
by H. Compton.
OXFORD, Eleven o’clock, every Evening.
217th Night at the centre of attraction.
Miss ROSE FOX begs publicly to tender her best thanks to the Oxford Management for the ”Souvenir” presented to her on the occasion of her 200th performance of ”Skiptomania.”
Address, Mr Hugh J. Didcott.’
(The Era, London, Sunday, 5 August 1877, p. 16a)

The Foresters’ music hall, London
‘The programme during the past week has been strengthened by the production of what the bills describe as a ”new fantastical farrago,” bearing the title Skipping in the Snow, arranged, we believe, by Mr H.J. Didcott, to whom must be given the credit – or at least some of the credit – of a pretty idea, capitally carried out. Skipping in the Snow cannot be said to have a story, and if we say that it introduces us to a young, handsome, well-dressed foreign prince on the look-out for a wife among the ”beautiful blondes,” who share in his taste for skipping-rope pastime, it must be understood that we speak only of our own imaginings, and that it is just possible we may have placed the wrong interpretation upon the sketch after all. Music Hall sketches are not allowed to have stories, and we are sure that this is about the very last place where any attempt would be made to violate the regulations laid down by the ”powers that be.” Story or no story, however, there is no denying the fact that Skipping in the Snow is a very attractive production. A really charming rustic and wintry scene has been prepared, and this alone appears to be sufficient to call forth the warmest demonstrations of approval from the skipping-rope dancers. Miss Rose Fox comes tripping upon the stage with her beautiful companions; when they sing and skip and dance; when the snow begins to fall and its flakes are made brilliant by the aid of the lime-light, the enthusiasm of the onlookers hardly knows bounds, and cheers of the most hearty description testify to the pleasure afforded. Miss Fox towards the end comes skipping and dancing with a rope of fire, the effect being wonderfully picturesque. Skipping in the Snow will doubtless remain one of the chief attractions at the Foresters’ for a considerable time to come.’
(The Era, London, Sunday, 12 August 1877, p. 4b)

‘Miss Rose Fox, the pretty and accomplished skipping-rope dancer, who some time ago created a sensation at the Gaiety Theatre, has been engaged by Mr E. Villiers to appear with her ”Belles Blondes” in the ”Fantastical Farrago” Skipping in the Snow, at the Canterbury, at Easter. Miss Fox may rely on a very cordial reception.’
(The Era, London, Sunday, 24 March 1878, p. 4b)

‘Miss Rose Fox (Mrs H.J. Didcott), formerly immensely popular as a dancer – her skipping-rope dance secured her a host of admirers – and lately a teacher of dancing, died, we regret to hear, on Friday, the 28th ult., after a long illness. She was the mother of two children. The remains of deceased were buried at Brighton on Tuesday.’
(The Era, London, Saturday, 6 July 1889, p. 15c)

Hugh Jay Didcott (1836-1909), a well-known London music hall agent, and Rose Fox (d. 1889, whose father was Harry Fox (1817-1976), music hall comedian and chairman of The Middlesex music hall, otherwise known as ‘The Old Mo’,’ Drury Lane), were the parents of the actress Maudi Darrell (1882-1910). The latter’s husband was Ian Bullough who following her death married Lily Elsie.