Anna Wheaton as she appeared for the song ‘My Snake-Charming Girl’ in the revue, Push and Go at the London Hippodrome 1915

Anna Wheaton (1896-1961), American musical comedy and revue actress, dancer and singer as she appeared in the revue Push and Go at the London Hippodrome (10 May 1915) in her costume for the song, ‘My Snake-Charming Girl.’
(photo: Wrather & Buys, 27 New Bond Street, London, 1915)

Anna Wheaton, accompanied by Jamieson Dodds, recorded ‘My Snake-Charming Girl’ for the Columbia label in London (Col 560) about June 1915. While this is unavailable at the moment, several of Miss Wheaton’s later recordings are featured on YouTube, including ‘Rolled Into One‘ from Oh! Boy!, recorded in New York City, 23 March 1917.

The principals in Push and Go were Violet Lorraine and Harry Tate. They were joined by a number of American artists including Shirley Kellogg, Arthur Swanston and Anna Wheaton. Among the sketches was a skit on Elsie Janis and her mother (played by Misses Kellogg and Wheaton), with Gerald Kirby appearing as Basil Hallam. It was well known at the time that in her private life Miss Janis (the American revue star then currently appearing at the Palace Theatre, London, in The Passing Show of 1915) was always accompanied by her mother and that she was also romantically attached to to her co-star, the English actor Basil Hallam.

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Pattie Wells, Madge Melbourne and Ruby Kennedy, in Our Miss Gibbs, Gaiety Theatre, London, 1909

left to right: Pattie Wells, Madge Melbourne and Ruby Kennedy, three of the ‘Girls at the Stores’ in Our Miss Gibbs, the musical play produced at the Gaiety Theatre, London, on 23 January 1909. The cast was headed by George Grossmith junior, Edmund Payne, Denise Orme and Gertie Millar.
(photo: Foulsham & Banfield, London, 1909; hats by Maison Lewis, Hanover Square and Paris)

Pattie Wells began her career as one of the ‘Ladies of Havana’ in Havana, another musical play at the Gaiety (25 April 1908); and she was last seen in Potash and Perlmutter in Society, a comedy by Montague Glass and Roi Cooper Megrue, produced at the Queen’s Theatre, London, on 12 September 1916.

Madge Melbourne was an American, born about 1885. She appeared on Broadway and on tour in the United States between about 1903 and 1906. She arrived in England in December 1908 and lived in London until about 1918. Apart from her appearances in Our Miss Gibbs, during which she made A Gaiety Dueta short film with George Grossmith junior and Edmund Payne, Miss Melbourne was also in the cast of Hullo Ragtime!, London Hippodrome, 23 December 1912, with Ethel Levey, Lew Hearn, Willie Solar, Dorothy Minto and Shirley Kellogg. She was also in Are You There?, a new musical piece by Ruggiero Leoncavallo, produced at the Prince of Wales’s Theatre, 28 October 1913, with Lawrence Grossmith, Alec Fraser, Shirley Kellogg and others. Her last appearance seems to have been in the one act comedy, Squibbs by Clifford Seyler, at the London Coliseum, in June 1915, with Mabel Russell and Charles Quartermaine.

Ruby Kennedy, whose real name was Ruby Trelawny, was born in 1889. She first appeared with Seymour Hicks and Ellaline Terriss as one of the ‘Guests’ in The Gay Gordons, a musical play which ran at the Aldwych Theatre, London, from 11 September 1907 for a run of 229 performances. She was last seen in another musical play, The Dancing Mistress, produced at the Adelphi Theatre, London, on 19 October 1912, with Joseph Coyne and Gertie Millar heading the cast. She was married to Group Captain (later Brigadier-General) Henry Brewster Percy Lion Kennedy (1878-1953) at St Luke, Chelsea, London, on 26 November 1913. She died in 1972.

One of Ruby Kennedy’s sisters was May Kennedy (née May Trelawny, 1885-1978) who also appeared in various musical productions, including The Gay Gordons and the revue, Everybody’s Doing It (Apollo Theatre, London, 9 December 1912), with J. Farren Soutar, Robert Hale, Ida Crispi and Unity More.

Joy-Bells, London Hippodrome, 1919

song sheet cover for Albert de Courville’s 9th London Hippodrome revue, Joy-Bells, produced on 25 March 1919 and featuring Frederick W. Chappelle’s song, ”Wonderful Bird” sung by Winnie Melville.
The two main characters on this cover are stylised portraits of the stars of the show, George Robey and Shirley Kellogg.
(published by Ascherberg, Hopwood & Crew Ltd, London, 1919; artwork by Arthur Ferrier) Joy-Bells was written by Albert de Courville, Wal Pink and Thomas J. Gray, with music by Frederick W. Chappelle. The production, staged by Ned Wayburn, opened on 25 March 1919 for a run of 723 performances.

Joy-Bells is noteworthy chiefly because during its run the Original Dixieland Jazz Band made a brief appearance. The band was so enthusiastically received by the audience that George Robey, the show’s star, delivered to de Courville an ultimatum to the effect that he would resign unless they went. Thereafter the ODJB appeared elsewhere and on tour and subsequently settled in for a successful nine months’ stay at the Palais de Danse in Hammersmith, west London.