Marquez de Gonza

Marquez de Gonza (né George Edwin Algar, 1847?-1885), English gymnast and trapeze artist, as he appeared at the Crystal Palace
(carte de visite photo: J. Norris, Upper Norwood, circa 1870)

‘IMPORTANT ARRIVAL.
‘MESSRS. PARRAVICINI and CORBYN announce the arrival in England of the renowned Artistes, Senores GONZA and ROMAH, the ”Mexican Athletes of the Golden Wings,” from El Teatro Rubio, in the city of Mexico. The most simple and truthful description of the marvellous feats of these extraordinary Artistes would surpass all powers of belief. They must be seen to be credited. They make their first appearance in Europe at the CRYSTAL PALACE on Monday next, October 31st [1870]. sole and exclusive Agents, Messrs Parravicini and Corbyn, 49, Duke-street, St. James’s, London, S.W.’
(The Era, London, 30 October 1870, p. 14c, advertisement)

‘GRAN CIRQUE LOISSET, CHEMNITZ, SAXONY.
‘MARQUEZ DE GONZA, the World-famed Gymnaste, of the Golden Wing, and his confrere DESMONTI and DARIAN VOLTA, have just finished the most enormously successful Engagement imaginable in Dresden. ”Vast crowds thronged the Theatre for two months.” M. De Gonza did not exhibit his new sensation in the Teatro Italiano, Prague, as arranged, owing to the Direction breaking up. Is now Nightly creating a most marvellous sensation at the above celebrated Cirque.
‘Engaged in Leipzig for July, at a salary of £480 per Month.
‘M. De Gonza has pleasure in announcing that he had Engaged the World-renowned flying Trapeze Artiste, Mademoiselle AZELLA!
‘Managers wishing their receipts doubled for sure, Address Marquez DE GONZA, as above.’
(The Era, London, Sunday, 19 Mary 1876, p. 13c, advertisement)

‘Accident to Marquez de Gonza.
‘This famous gymnast, who has been for many months past attracting and astonishing thousands at the Paris Hippodrome, has been the victim of an accident which will necessitate an abstention from professional labours for some weeks to come. Towards the end of last week, prior to the opening of the establishment for the evening performance, Gonza, according to custom, climbed up a rope to adjust a trapeze. When forty feet from the ground the rope broke and the gymnast fell with a heavy thud into the arena. On examination it was found that happily no bones were broken, but a severe contusion of the right food had been sustained. The escape from more serious injuries was simply marvellous, and the gymnast, while receiving the sympathy of many, will have the congratulations of many more upon the fact that ”it might have been worse.”’
(The Era, London, Sunday, 25 August 1878, p. 4b)

‘MARQUEZ DE GONZA, the famous gymnast, with the graceful Azella and Mons. Lunardi, has been creating a great sensation at Gordon’s Palace, Southampton. The startling feats of he daring rio will very shortly be reintroduced to the London public at the ”Canterbury.”’
(The Era, London, Sunday, 23 March 1979, p. 4b)

‘An inquest was held at Luton, on Saturday [9 May 1885], on the body of the celebrated gymnast the Marquis de Gonza, who died suddenly on the previous day. The marquis, whose real name was Algar, was well known among actors and other entertainers, and a few years ago was the leading figure in his profession. He had travelled over nearly all the world, and possessed a medal and autograph letter which he received from the Empress of Germany, before whom he had appeared, as well as many other sovereigns. It was found that the cause of death was syncope.’
The Liverpool Mercury, Liverpool, Monday, 11 May 1885, p. 5f)

‘An inquiry was held by the coroner for Bedfordshire, at Luton, on Saturday afternoon [9 May 1885], into the death of the celebrated gymnast the ”Marquis de Gonza,” who died somewhat suddenly. The ”Marquis,” whose name was George Edwin Algar, resided principally in London. He was associated with Lunardi, and Azella, and had travelled nearly all over the world, Recently he was connected with Mr. Wilson Barrett’s company, and appeared on the stage of the Princess’s [Oxford Street, London] in ”Claudian” last year. He had been in delicate health for some time, and it was found that the cause of death was syncope.’
(Berrow’s Worcester Journal, Saturday, 16 May 1885, p. 6e)

Marquez de Gonza (né George Edwin Algar, 1847?-1885), English gymnast and trapeze artist, as he appeared at the Crystal Palace
(carte de visite photo: J. Norris, Upper Norwood, circa 1870)

‘IMPORTANT ARRIVAL.
‘MESSRS. PARRAVICINI and CORBYN announce the arrival in England of the renowned Artistes, Senores GONZA and ROMAH, the ”Mexican Athletes of the Golden Wings,” from El Teatro Rubio, in the city of Mexico. The most simple and truthful description of the marvellous feats of these extraordinary Artistes would surpass all powers of belief. They must be seen to be credited. They make their first appearance in Europe at the CRYSTAL PALACE on Monday next, October 31st [1870]. sole and exclusive Agents, Messrs Parravicini and Corbyn, 49, Duke-street, St. James’s, London, S.W.’
(The Era, London, 30 October 1870, p. 14c, advertisement)

‘GRAN CIRQUE LOISSET, CHEMNITZ, SAXONY.
‘MARQUEZ DE GONZA, the World-famed Gymnaste, of the Golden Wing, and his confrere DESMONTI and DARIAN VOLTA, have just finished the most enormously successful Engagement imaginable in Dresden. ”Vast crowds thronged the Theatre for two months.” M. De Gonza did not exhibit his new sensation in the Teatro Italiano, Prague, as arranged, owing to the Direction breaking up. Is now Nightly creating a most marvellous sensation at the above celebrated Cirque.
‘Engaged in Leipzig for July, at a salary of £480 per Month.
‘M. De Gonza has pleasure in announcing that he had Engaged the World-renowned flying Trapeze Artiste, Mademoiselle AZELLA!
‘Managers wishing their receipts doubled for sure, Address Marquez DE GONZA, as above.’
(The Era, London, Sunday, 19 Mary 1876, p. 13c, advertisement)

‘Accident to Marquez de Gonza.
‘This famous gymnast, who has been for many months past attracting and astonishing thousands at the Paris Hippodrome, has been the victim of an accident which will necessitate an abstention from professional labours for some weeks to come. Towards the end of last week, prior to the opening of the establishment for the evening performance, Gonza, according to custom, climbed up a rope to adjust a trapeze. When forty feet from the ground the rope broke and the gymnast fell with a heavy thud into the arena. On examination it was found that happily no bones were broken, but a severe contusion of the right food had been sustained. The escape from more serious injuries was simply marvellous, and the gymnast, while receiving the sympathy of many, will have the congratulations of many more upon the fact that ”it might have been worse.”’
(The Era, London, Sunday, 25 August 1878, p. 4b)

‘MARQUEZ DE GONZA, the famous gymnast, with the graceful Azella and Mons. Lunardi, has been creating a great sensation at Gordon’s Palace, Southampton. The startling feats of he daring rio will very shortly be reintroduced to the London public at the ”Canterbury.”’
(The Era, London, Sunday, 23 March 1979, p. 4b)

‘An inquest was held at Luton, on Saturday [9 May 1885], on the body of the celebrated gymnast the Marquis de Gonza, who died suddenly on the previous day. The marquis, whose real name was Algar, was well known among actors and other entertainers, and a few years ago was the leading figure in his profession. He had travelled over nearly all the world, and possessed a medal and autograph letter which he received from the Empress of Germany, before whom he had appeared, as well as many other sovereigns. It was found that the cause of death was syncope.’
The Liverpool Mercury, Liverpool, Monday, 11 May 1885, p. 5f)

‘An inquiry was held by the coroner for Bedfordshire, at Luton, on Saturday afternoon [9 May 1885], into the death of the celebrated gymnast the ”Marquis de Gonza,” who died somewhat suddenly. The ”Marquis,” whose name was George Edwin Algar, resided principally in London. He was associated with Lunardi, and Azella, and had travelled nearly all over the world, Recently he was connected with Mr. Wilson Barrett‘s company, and appeared on the stage of the Princess’s [Oxford Street, London] in ”Claudian” last year. He had been in delicate health for some time, and it was found that the cause of death was syncope.’
(Berrow’s Worcester Journal, Saturday, 16 May 1885, p. 6e)

Marquez de Gonza (né George Edwin Algar, 1847?-1885), English gymnast and trapeze artist, as he appeared at the Crystal Palace
(carte de visite photo: J. Norris, Upper Norwood, circa 1870)

‘IMPORTANT ARRIVAL.
‘MESSRS. PARRAVICINI and CORBYN announce the arrival in England of the renowned Artistes, Senores GONZA and ROMAH, the “Mexican Athletes of the Golden Wings,” from El Teatro Rubio, in the city of Mexico. The most simple and truthful description of the marvellous feats of these extraordinary Artistes would surpass all powers of belief. They must be seen to be credited. They make their first appearance in Europe at the CRYSTAL PALACE on Monday next, October 31st [1870]. sole and exclusive Agents, Messrs Parravicini and Corbyn, 49, Duke-street, St. James’s, London, S.W.’
(The Era, London, 30 October 1870, p. 14c, advertisement)

‘GRAN CIRQUE LOISSET, CHEMNITZ, SAXONY.
‘MARQUEZ DE GONZA, the World-famed Gymnaste, of the Golden Wing, and his confrere DESMONTI and DARIAN VOLTA, have just finished the most enormously successful Engagement imaginable in Dresden. “Vast crowds thronged the Theatre for two months.” M. De Gonza did not exhibit his new sensation in the Teatro Italiano, Prague, as arranged, owing to the Direction breaking up. Is now Nightly creating a most marvellous sensation at the above celebrated Cirque.
‘Engaged in Leipzig for July, at a salary of £480 per Month.
’M. De Gonza has pleasure in announcing that he had Engaged the World-renowned flying Trapeze Artiste, Mademoiselle AZELLA!
‘Managers wishing their receipts doubled for sure, Address Marquez DE GONZA, as above.’
(The Era, London, Sunday, 19 Mary 1876, p. 13c, advertisement)

‘Accident to Marquez de Gonza.
‘This famous gymnast, who has been for many months past attracting and astonishing thousands at the Paris Hippodrome, has been the victim of an accident which will necessitate an abstention from professional labours for some weeks to come. Towards the end of last week, prior to the opening of the establishment for the evening performance, Gonza, according to custom, climbed up a rope to adjust a trapeze. When forty feet from the ground the rope broke and the gymnast fell with a heavy thud into the arena. On examination it was found that happily no bones were broken, but a severe contusion of the right food had been sustained. The escape from more serious injuries was simply marvellous, and the gymnast, while receiving the sympathy of many, will have the congratulations of many more upon the fact that “it might have been worse.”’
(The Era, London, Sunday, 25 August 1878, p. 4b)

‘MARQUEZ DE GONZA, the famous gymnast, with the graceful Azella and Mons. Lunardi, has been creating a great sensation at Gordon’s Palace, Southampton. The startling feats of he daring rio will very shortly be reintroduced to the London public at the “Canterbury.”’
(The Era, London, Sunday, 23 March 1979, p. 4b)

‘An inquest was held at Luton, on Saturday [9 May 1885], on the body of the celebrated gymnast the Marquis de Gonza, who died suddenly on the previous day. The marquis, whose real name was Algar, was well known among actors and other entertainers, and a few years ago was the leading figure in his profession. He had travelled over nearly all the world, and possessed a medal and autograph letter which he received from the Empress of Germany, before whom he had appeared, as well as many other sovereigns. It was found that the cause of death was syncope.’
The Liverpool Mercury, Liverpool, Monday, 11 May 1885, p. 5f)

‘An inquiry was held by the coroner for Bedfordshire, at Luton, on Saturday afternoon [9 May 1885], into the death of the celebrated gymnast the “Marquis de Gonza,” who died somewhat suddenly. The “Marquis,” whose name was George Edwin Algar, resided principally in London. He was associated with Lunardi, and Azella, and had travelled nearly all over the world, Recently he was connected with Mr. Wilson Barrett’s company, and appeared on the stage of the Princess’s [Oxford Street, London] in “Claudian” last year. He had been in delicate health for some time, and it was found that the cause of death was syncope.’
(Berrow’s Worcester Journal, Saturday, 16 May 1885, p. 6e)

Ethel Negretti

Ethel Negretti (1879-1918?), English singer (soprano) and actress
(photo: Alfred Ellis & Walery, London, circa 1902)

Ethel Negretti (Ethel Amelia Rosenstreich) was born in London in 1879, the daughter of Nathaniel Rosenstreich (1841/42-1903), a German-born looking glass and furniture manufacturer, and his first wife, Amelia (née Biddle, 1828-1898). On 28 July 1904 she was married to Albert Pembridge Parker, a sometime manager in the motor trade, at St. George’s, Bloomsbury. They appear to have had no children and may have separated before 1918, the last mention of her in the records. Parker married again in 1926, to Winifred Lilian Edith Grayson and died at the age of 75 in 1949.

Ethel Negretti appears to have begun her theatrical career in the summer of 1898 with Wallace Erskine’s company in a tour of the UK of The Shop Girl, a musical farce which was first produced at the Gaiety Theatre, London, on 24 November 1894; she took the part of Lady Dodo Singleton, originally played by Helen Lee.

She was next seen at the end of October, 1898, in a small part at the Royal Theatre, Jersey, in the comedy The Dove-Cot, starring Seymour Hicks, following its London run at the Duke of York’s Theatre (12 February 1898). Miss Negretti was the Princess Haidée in the pantomime Dick Whittington, at the Grand Theatre, Fulham, at Christmas 1898, in which she was praised for the song ‘Carmencita,’ ‘rendered with such sweetness and verve.’ (The Era, London, Saturday, 21 January 1899, p. 12c). She was then seen in tours of the musical farcical comedy The Topsy-Turvey Hotel Co and the musical comedy The French Maid.

On 19 October 1899 appeared as Cyrene in a revival at the Lyceum Theatre, London, of Wilson Barrett’s drama The Sign of the Cross. She was next seen in a tour with G.H. Snazelle in The Prince of Borneo, an opera farce.

Derby, Wednesday, 7 November 1900
‘BANJO AND MANDOLIN CONCERT AT THE TEMPERANCE HALL.
‘Though the weather was miserable – rain fell sharply at times and the streets were thick with mud – there was a capital audience at the Temperance Hall on Wednesday evening, on the occasion of Mr. and Mrs. M.L. Merton’s fourth grand banjo and mandolin concert. The programme was a delightful one and the artistes were ladies and gentlemen of acknowledged ability. Mr Clifford Essex and Miss Ethel Negretti achieved considerable success at one of Mr. Merton’s previous concerts, and their second appearance in Derby was naturally looked forward to with much interest and pleasure. Of Mr. Essex and his pierrots it may be said that they have performed, by command, before the Prince and Princess of Wales and other members of the Royal Family on no fewer than five occasions. Then Mr. Olly Oakley there are few more celebrated banjoists and he too was exceedingly well received on a previous visit to the town… . Mr. Clifford Essex and Miss Negretti were heard to particular advantage in ”I love the man in the moon” (which was encored), and Miss Negretti, who has a very sweet, clear voice, sang ”Baby,” (from [Gustave Kerker’s] ”The American Beauty” [sic]), a particularly pretty song, charmingly… .’
(The Derby Mercury, Derby, Wednesday, 14 November 1900, p. 6e)

At Christmas 1900 Miss Negretti was seen in the pantomime Dick Whittington at the Prince’s Theatre, Bristol. The two leading parts of Dick and Alice were taken by Millie Hylton and her sister, Lydia Flopp; other parts were played by Ernest Shand, Tennyson and O’Gorman and Bessie Featherstone.

In November 1901 Ethel Negretti appeared as one of Clifford Essex’s Pierrots (the others being Clifford Essex, Joe Morley and Wilson James) at the Town Hall, Eastbourne. She remained with Essex until the autumn of 1902 after which she appeared as Ida in the pantomime Mother Goose at Drury Lane Theatre (26 December 1902), with Dan Leno, Herbert Campbell, Madge Lessing, Marie George and others. She was next seen in The School Girl, a musical play which opened at the Prince of Wales’s Theatre, London, on 9 May 1903; the cast was headed by Edna May and G.P. Huntley. Following a tour in A Country Girl, Miss Negretti appeared again in pantomime at Drury Lane: Humpty Dumpty, produced on 26 December 1903, with Dan Leno, Herbert Campbell, George Bastow, Marie George, Louise Willis and Ruth Lytton.

With further appearances on tour and in pantomime, Ethel Negretti’s career continued until 1914/15, when she appeared as Mme. Alvarez in a tour of the successful Shaftesbury Theatre musical, The Pearl Girl. Her final appearances seem to have been in The Magic Touch, a musical comedy produced at the Palace Theatre, Walthamstow, on 18 January 1915; and in the revue, So Long, Lucy!, which was produced on 27 September 1915 at the Hippodrome, Derby, with Paul Barnes, the American black-face comedian and song-writer, in the lead; other members of the cast were Clay Smith (husband of Lee White, the American revue star), Phyllis Barnes and Phil Lester.

Wilson Barrett

Wilson Barrett (1846-1904), English actor manager and dramatist, as Marcus Superbus in The Sign of the Cross, first produced at the Lyric Theatre, London, 4 January 1896
(photo: W. & D. Downey, London, 1896)

‘It is a pity that Mr. Wilson Barrett is not more thoroughgoing in his endeavours to make the ”dressing” of The Sign of the Cross strictly correct. A Roman emperor and prefect with long hair hardly fit in with archæological accuracy. Close cropped heads were the only wear in Rome at the date when the action of the piece is supposed to take place. Mr. Wilson Barrett should inspect the gallery of Roman busts at the British Museum, and then invoke the aid of the wig-maker.’
(The Theatre, London, 1 April 1896, p. 24